
1. Louisville
2. Copenhagen
3. Gotta Getta Girl
4. Dustin The Donkey
5. Tiger Rag
6. Ev'rything Is Hotsy Tosy Now
7. Sweet Georgia Brown
8. Collegiate (take A)
9. Collegiate (take B)
10. Look Who's Here
11. Stockholm Stomp
12. Sidewalk Blues
13. Sidewalk Blues (-alt)
14. Lazy Weather
15. Vo-Do-Do-De-O Blues
16. Beale Street Blues
17. Delirium
18. Farewell Blues
Bobby Davis - Clarinet, Sax (Alto), Sax (Soprano)
Arnold Brilhart - Clarinet, Sax (Alto)
Pete Pumiglio - Clarinet, Sax (Alto)
Max Farley - Clarinet, Sax (Tenor)
Freddy Cusick - Sax (Tenor)
Sam Ruby - Sax (Tenor)
Adrian Rollini - Sax (Bass)
Red Nichols - Cornet
Frank Cush - Trumpet
Chelsea Quealey - Trumpet
Roy Johnston - Trumpet
Tommy Dorsey - Trombone
Abe Lincoln - Trombone
Eddie Lappe - Trombone
Lloyd 'Ole' Olsen - Trombone
Arthur Hand - Violin
Ray Kitchhingman - Banjo
Tommy Felline - Banjo
Irving Brodsky - Piano
Jack Russin - Piano
Stan King - Drums
Herb Weil - Drums
Arthur Fields - Vocals
Ed Kirkeby - Vocals
AMG:
"Two major myths surround the California Ramblers band that recorded for the Edison record company in the mid-'20s. First, despite the fact that both Tommy and Jimmy Dorsey served tenures with the group, this was not the Dorsey Brothers' college band immortalized in their Hollywood biopic. Secondly, the group was not from California (by all reports they never even played in that state), but formed in Ohio by banjoist Ray Kitchenman in 1921.
the California Ramblers were one of the very first big bands on record to aim for dance music with strong jazz overtones. Although Paul Whiteman and Jean Goldkette (both of whom employed Bix Beiderbecke at various junctures) were mining this turf around the same period, their recordings sound almost quaint in comparison to the Ramblers. The band had a drumming dynamo in Stan King, an early playing partner of Benny Goodman's, whose rock-solid beat induced dancing. On bass saxophone was Adrian Rollini, a musical genius who could shine on multiple instruments. Add to this the aforementioned Dorsey brothers, Red Nichols, the straight-ahead rhythm of banjoist Kitchenman, and clarinetist Fud Livingston (comedian Jerry Colonna served a brief tenure with the band on trombone before finding his true leather-lunged calling) and you have a society dance band with real bite and verve. They also hold a parenthetical place in jazz history, hiring trumpet man Bill Moore, one of the first African American jazz musician to work with a white band. Although their time in the limelight was brief, with several of their members going on to bigger and better things by decade's end, the California Ramblers stand as the quintessential white dance band of the 1920s."
Jazz Archives No 11
or
Jazz Archives No 11