Suite in D major, Op. 2, No. 1:
1. I. Prelude 3:30
2. II. Allemande La Royalle 2:46
3. III. Rondeau Le Duc d' Orleans 2:11
4. IV. Sarabande La d' Armagnac 2:42
5. V. Gavotte La Meudon 1:39
6. VI. Menuet Le Comte de Brione - 2e Menuet 3:16
7. VII. Gigue La Folichon 1:23
Les Delices, ou Le Fargis - Rondeau le Champetre:
8. I. Les Delices ou Le Fargis 2:35
9. II. Rondeau le Champetre 2:42
Suite in G major, Op. 2, No. 2:
10. I. Prelude 1:44
11. II. Allemande L'Atalante 2:01
12. III. Sarabande La Fidelle 3:00
13. IV. Petit Air tendre 1:13
14. V. Gavotte en Rondeau La Maillebois - 2e Gavotte 2:29
15. VI. Rondeau Le Baron 1:27
Suite in G major, Op. 2, No. 3:
16. I. Allemande La Cascade de Saint-Cloud 2:44
17. II. Sarabande La Guimon 2:55
18. III. Courante-Double L'indifferente 2:38
19. IV. Rondeau Le Plaintif 2:56
20. V. Menuet Le Mignon 0:59
21. VI. Gigue L'Italienne 1:22
22. VII. Echos pour la flute traversiere seule 3:26
Suite in E minor, Op. 2, No. 4:
23. I. Prelude 2:46
24. II. Allemande La Fontainebleau 3:20
25. III. Sarabande Le Depart 2:31
26. IV. Air Le Fleuri 1:43
27. V. Gavotte La Matilde 1:29
28. VI. Branie de Village L'Auteuil 0:44
29. VII. Menuet La Beaulieu: 2e Menuet 2:15
30. VIII. Allemande La Chauvet 2:30
31. IX. Rondeau Le Lutin 1:13
32. X. Gigue la Perousine 1:35
Philippe Allain-Dupre - Baroque Transverse Flute
Yasuko Uyama-Bouvard - Harpsichord
Vincent Dumestre - Theorbo
Jean-Francois Bouges - Flute
Philippe Pierlot - Viol
Wiki:
"Jacques-Martin Hotteterre was born in Paris, the son of Martin Hotteterre (d. 1712) and Marie Crespy.In about 1704, Jacques-Martin Hotteterre succeeded his cousin Jacques in the post of basse de hautbois et taille de violon at the royal court.
Hotteterre lived and studied in Rome early in his career, and his nickname le Romain (the Roman) came from this period. He spent two years (1698–1700) employed by Prince Francesco Ruspoli in Rome, before adopting the nickname of "Le Romain" at some point between 1705 and 1707. By 1708, he became a musician to the king of France, in the king's 'Grande Écurie, and in 1717, he inherited René Pignon Descoteaux's post as Jouëur de Fluste de la musique de chambre.
Hotteterre owed his fame largely to his talent playing the flute, an instrument for which he wrote a number of pieces, significantly extending the repertory for the instrument. In addition, he played the bassoon, oboe, and musette. Jacques-Martin Hotteterre was also an internationally celebrated teacher to aristocratic patrons. He wrote one method for the transverse flute, recorder, and oboe, published in 1707, as well as a method for the musette, published in 1737. His L'Art de préluder sur la flûte traversière was published in 1719. It underscores his highly developed technique and includes pieces in nineteen keys.
In addition to performance and teaching, Hotteterre continued his family's tradition of wind instrument making. It may have been Hotteterre who made a number of changes in the design of the transverse flute, though there is little concrete evidence for this. Most notably, the flute, which had previously been made in one cylindrical piece, was cut in three pieces: the head (with the mouthpiece), the body (with most of the holes), and the foot (with one, keyed hole for the low E Flat)."
Music for Flute
or
Music for Flute