1. Primera Transmigración (Paraiso Remoto) 16:50
a) Genesis
b) Prana (Grito Primario)
c) Primera Visión De Un Mundo Nuevo
d) Himno A La Armonía Magistral Del Unverso
e) Primeros Pasos En Un Mundo Nuevo
f) Metamorfosis Extravagante
2. Segunda Transmigración (Abismo Próximo) 16:45
a) Narración Extravagante
b) Primeras Preguntas En Un Mundo Nuevo
c) Canto Al Niño Neurótico
d) Himno Crítico A La Primera Adversidad
e) Desfile Extravagante
f) Proceso Alienatorio
g) Serenata Extravagante
3. Tercera Transmigración (El Entorno Futuro) 17:47
a) Pequeño Concierto Extravagante
b) Paginas De Plata De Un Diario Intimo
c) Anti-Himno A La Programacion Cibernetica
d) Monasterios
e) Proceso Ciberetico
f) Villancico Extravagante
4. Cuarta Transmigración (El Eslabón Recobrado) 21:53
a) Hibernus
b) Crisis
c) Ballet De Las Sombras
d) Himno A La Armonía Implacable Del Fin
e) Vanessa (El Aliento De La Osamenta)
f) Nirvana Extravagante
g) Diálogos A Alto Nivel
h) Hiperdestrucción
i) Apocalipsis
Antonio Garcia de Diego - guitar, acoustic guitar, vibraphone, voice
Mathias Sanvellian - electric piano, Hammond, acoustic piano, violin
Teddy Bautista - keyboards, synthesizers, voice
Christian Mellies - bass, synthesizer
Alain Richard - drums, percussion
Rudmini Sukmawati - voice
Alfredo Carrion - choral arrangement and conducting
AMG:
"One of the best albums of the prog rock genre. Ciclos is an adaptation of Vivaldi's 'Four Seasons.' They don't make a note-by-note interpretation, but they add some typical prog rock elements, such as the use of Mellotrons and Moog synthesizers, played with virtuosity. This recording is a more accurate interpretation of a classical piece than 'Pictures at an Exhibition' by Emerson Lake & Palmer. There's a lot of color in this recording, with vocals in English, Spanish, and Latin, plus the presence of opera singers, electric guitars, and electronic keyboards. This one has been long out of print, but it's worth it for fans of progressive rock. It's an underground classic of the genre."
Ciclos
or
Ciclos