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1. Café com leite 0:31
2. Beija, Me Beija, Me Beija 3:57
3. Meu Laiá-Raiá 4:47
4. Madalena do Jucú 4:17
5. Disritmia 4:29
6. Se eu soubesse que tu vinhas 3:46
7. Samba da cabrocha bamba 4:39
8. Canta, Canta Minha Gente 4:43
9. Quem É Do Mar Não Enjoa 3:56
10. Iaiá do Cais Dourado 4:23
11. Maré mansa (Mar calmado) 3:37
12. Ex-Amor 4:45
Wikipedia:"According to Revista Veja (Brazil's largest weekly news magazine): Simone Bittencourt de Oliveira was born twice. The first, in 1949, in a low-class Salvador area, in Bahia. The second, in the last February 7, at the 'Morumbi Stadium', in São Paulo, when she raised a vibrant chorus of 90,000 at the 'Canta Brasil' spectacle, singing 'Caminhando'. When presentation ended, she was another shining star in the sky. Success assured career's first golden disc and an eponymous program for Rede Globo, recorded alive at the 'Globo Theater' (march, 1980). The program, Simone Bittencourt de Oliveira, was the first of a series called Grandes Nomes. Still, in this glorious year of 1979, she was present at the Festival de Música Popular Brasileira, interpreting Para Lennon & McCartney (by Márcio and Lô Borges and Fernando Brant). In 1982, the same magazine would stamp Simone, the largest album seller of the decade [11], on the cover, with an extensive seven pages coverage.
Since the 1960s, when Festival de Música Popular Brasileira series were launched (Rede Record), until the 1980s, Brazilian television was marked by the great audience of those broadcasted programs from live music festivals. Mulher 80 (Rede Globo) was one of these remarkable ones; the program exhibited a series of interviews and musicals aimed to discussing women's role in society with an approach to the national music evolvement and the indisputable predominance of female voices: presenting Elis Regina, Maria Bethania, Fafá de Belém, Marina Lima, Simone, Rita Lee, Joanna, Zezé Motta, Gal Costa and the extra participation of Regina Duarte and Narjara Turetta, from Malu Mulher TV series. On an interview to O Pasquim journal (nº 572, from 13th to 19/06/1980), Elis Regina talks about her: Elis, from all of these new talents, is there anyone to look at with attention?: "I Like Simone very much. Potentially, there is a talent to bloom out. She is a beautiful woman, her repertory is very good and she is very well orientated by Flávio Rangel and Nelson Ayres".
At the age of 32 she became the first female singer to fill the Maracanãzinho Stadium. In February 1982 15 to 20 thousand people crowded Canta Brasil to see her perform music by Milton Nascimento, Ary Barroso, Chico Buarque, Tom Jobim, Fernando Brant, Vítor Martins, Paulo César Pinheiro, Hermínio Bello de Carvalho, Isolda, Sueli Costa and Abel Silva. In December 1983 she drew a crowd of 150 thousand people to Quinta da Boa Vista to see a live transmission of Rede Globo for a New Year's TV show [12].
As her success grew, Simone continued to be involved in political activities. She helped raise funds with Nordeste já[13], a Brazilian version of the American charity efforts We are the world or USA for Africa. The 155 chorus voices recorded a compact disc with two songs, Chega de mágoa and Seca d´água.
In May 2006, in a pocket show at Bourbon Street Nightclub in São Paulo, Simone along with the band presented a romantic repertoire and delighted the audience with unusual arrangements, within a jazzy tone, for the Credicard Project. Among the most recent presentations, stands out the ones in Peru, where she was praised by the audience who stood by the stage clapping for more than five minutes straight; in Miami, along with Ivan Lins, was acclaimed by critics who considered the show one of the best ones in recent years. By June 2007, the Coliseum of Santos enthusiastically received an icon of MPB who was one day an unknown dweller. Amigo é Casa, sharing the stage with Zélia Duncan, was a show for the recording of an eponymous DVD and aimed to mark the partnership she evolved along with Zélia Duncan for the past two years."
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