1. The Black-Hats Fight Song 3:24
2. Train A-Travellin' 7:07
3. The Death of Emmett Till 5:44
4. The Jews-Whore Marie Saunders 2:15
5. It's Alright Ma (I'm Only Bleeding) 2:37
6. Masters of War 2:56
7. Song of a German Mother 2:57
8. John Brown 7:52
9. Cannon Song 2:01
10. Hollywood 1:26
1. North Country Blues 3:31
2. Song of the Invigorating Effect of Money 5:44
3. Song of the Inadequacy of Man's Higerhnature 1:35
4. Mandelay 7:00
5. Nana's Lied 3:40
6. Like a Rolling Stone 5:55
7. Pirate Jenny 5:29
8. God in Mahagonny 4:49
9. I'd Sure Hate to Be You on That Dreadful Day 1:54
10. Blowin' in the Wind 4:05
11. Perhaps Song 2:41
12. As You Make Your Bed You Must Lie There 1:10
Bettina Jonic - Vocals
Julian Coward - Flute, Piccolo
Hale Hambleton - Clarinet, Sax (Alto)
Cliff Haines - Trumpet
Roland Harker - Guitar
David Parry - Piano
John Gray - Double Bass
Jim Toomey - Drums
wiki:
"Bettina Jonic is a theatre artist, singer, dancer, writer, poet, director, and the founder of London's Actors Work Group.
Jonic was raised in Los Angeles, California to Croatian parents. She studied ballet for ten years with Theodore Kosloff and Bronislava Nijenska, then studied music and singing at Mozarteum, Vienna Academy of Music, and the Paris Conservatory of Music. She specialized in music of Wolfgang Amadeus Mozart and Richard Strauss before becoming known as an interpreter of Bertolt Brecht. Before forming the Actors Work Group, she collaborated with Peter Brook. She also created the Actor/Singer Development at the Royal Opera House in 1980, developing it into The Little Garden.
In 1975, she released an album of 22 songs on Actor/Singer Development Productions, Ltd. titled The Bitter Mirror, which mixed her interpretations of Brecht and Bob Dylan, which was reissued in 1974 by Records for Peace. The album was finally reissued on compact disc in 2010 by Motéma Music.
She is currently at work on With and Without Sam: Volumes One and Two, a collection of her correspondence with Samuel Beckett, an excerpt of which appeared in The London Magazine (Summer 2010), as well as a project combining Beckett's Happy Days with Alban Berg's Wozzeck and another project combining Beckett's Stirrings Still with Oscar Wilde's 'De Profundis'."
The Bitter Mirror
or
The Bitter Mirror